Do what scares you.

With Cam Attree at Broken Head, QLD, Australia. Thankfully there was no literal breaking of heads during my cartwheelling frolic.

With Cam Attree at Broken Head, QLD, Australia. Thankfully there was no literal breaking of heads during my cartwheelling frolic.

Reno, NV

The idea for this bike trip first made its entrance in the loft of an industrial artists' warehouse in Melbourne. Like the rogue raindrops sogging the floor, it had probably leaked into the room through one of the broken windows. Meanwhile, Alex and I were asphyxiating ourselves in the vortex of scummy blankets we'd built as a stronghold against the cold.

Our discussion turned to things we'd never done before and wanted to do, and Alex mentioned long-distance biking, particularly from the States through South America. 

I cringed. My mind glued together a collage of disasters: being hit by a car, stranded in the middle of nowhere, assaulted, etc. I admitted that I'd be terrified about doing anything of the kind.

He laughed. "Don't you say that's usually when you should do something?"

"Yeah, but I don't know anything about bikes. I went on little bike rides with my dad when I was a kid, but it's not like I know about anything, not even specs and sizing and all that."

"Well, yeah....Exactly. You could even do it alone. I couldn't afford it."

"And I could?"

"Well, there's modeling. Bike somewhere you've always wanted to visit, with cities you've always wanted to shoot in."

"That's completely insane. A logistical nightmare, just for starters."

Mockingly: "Yeah, you're right....You won't."

Of course, once the idea infected my head, I knew I had to try. And, of course, once I had the conviction to try, Alex began battling his own fears of what might happen to me on the trip [which, after all, were similar to mine—that I might get hit by a car, or assaulted, or stranded, et al]. But he also knows what I need in order to be happy; he knows that I need a bit of self-validating chaos in order to maintain emotional stasis and well-being. That I have to show myself what I can do, in the face of my doubts.

I'm not a stranger to chasing the unfamiliar. Two days ago, we'd found our way to that chilly loft like aimless drivers in the night, headed faithfully along unfamiliar roads in spite of never seeing farther than a few feet ahead.

In fact, one reason I live the way I do is precisely because it's a release valve to the anxiety and fear I'd otherwise harbor. An inclination to skip winter for a year brought us to Southeast Asia, because we didn't have the overhead to visit our friends in New Zealand, and because the idea made me anxious in a visceral way.

Months later, we'd just begun to feel like Baan Mae Haad, a village on the tropical island of Koh Tao, was as much like home as any town we'd lived in, when a sudden whiff of dirt-cheap tickets to Australia compelled us to leave our idyllic beach-wandering existence and hop on a ferry, then on a wagon, then on a train, then spend a night fraternizing with stray cats in the station before our next train arrived after a six hour delay, haggling for a cab, sleeping at the airport, and finally boarding our flight, three days after initially leaving Koh Tao. 

On the plane we met a man who offered us a ride from the airport and dropped us off, after our repeated assurances that he'd taken us to the right place [and, even then, only after we'd agreed to take his business card just in case we wound up in a jam], in front of a dilapidated warehouse, dressed modestly in barbed wire and a broken chain-link fence, at 2:00am local time.

The upstairs loft belonged to a guy Alex had befriended in the States years ago who was off working the mines. He'd left us a "Welcome to 'Straya!" type of note that indicated a gift under the desk, which turned out to be weed and rolling papers; even though neither of us smoke, the gesture had me giddy over its adorableness. In our seven weeks home-basing in Melbourne, during which I'd take short solo trips around the east coast, I never met our host.

The morning after our arrival, we walked through a maze of industrial buildings feeling a dazed mixture of culture-shock and reverse-culture-shock after our months in Asia. It was pure warehouseland, without a residence or business within twenty blocks, and consequently it was a dead silent neighborhood [if you can call it a neighborhood] except around 3am, when teenagers would show up to loudly drift and sometimes wreck their fancy new cars without fear of interruption. Eventually we emerged onto a main road, spotted a tram stop and waddled up to it. In our pockets were Thai baht, Lao kip, Malaysian ringgit, and a few US dollars. The operator shrugged and beckoned us aboard, anyway. Without local currency, electronic devices, local contacts in town, or any idea where we were going or how we'd find our way back, we hopped on without hesitation.

We were home again.

Tamer Pursuits

Melbourne, Victoria

I've been having really good luck with airplane seating arrangements.

From Kuala Lumpur to Melbourne, Alex and I were seated next to Stephen, an energetic man of about fifty who owned a decorating company in Victoria. I'd had the audacity to ask Stephen a lot of frivolous, covetous questions about how he managed to get a brownie from the flight attendant even though they weren't on the menu; this had proven to be a good move on my part, as he was awesome, and we spent the rest of our flight rambling at each other about the cultural and political absurdities of our respective countries.

He offered us a ride--which was fantastically lucky for us, since we'd arrived at around 2:00 a.m. and were thinking our only option would be to hire a cab--then, after a rather amusing series of trivial setbacks, handed us a card saying to let him know if we wanted to get a coffee or wound up needing an alternative place to stay, and warily left us in front of a dark and unassuming warehouse facade in Coburg as per our request [and repeated assurances that, yes, we were at the right place, and yes, we knew the people who lived there].

Since then, I've gone on one other flight, from Adelaide to Melbourne [having previously taken the train from Melbourne to Adelaide--aboard which I was probably the only passenger under sixty, and wound up making a throng of very sweet and inquisitive octogenarian friends who were completely intrigued by this girl dressed in fluorescent clothes she found in Thailand, and was subsequently offered well-wishes and blown kisses and vague grandma-esque insistences that I ought to visit their town by about fifteen of them upon disembarkation], during which a flight attendant handed me a flirtatious the-seat-next-to-me-is-empty-if-you-want-to-come-take-it note from a spiffy admirer about whom I knew nothing except that he was tall, dark, and from Texas, but regrettably didn't wind up rewarding this admittedly charming gesture [sorry, bro] because by that point I was already enmeshed in a fantastic conversation with a one of the most interesting guys I've met in a while. We talked about Burning Man [a given when you both realize you've both been], travelling adventures [including his experience playing music and doing a peyote ceremony up in the foothills near a remote Mexican village, and being working with locals to open up a restaurant in Indonesia], a new wave of surreal, transcendently immersive "performance art", and so on. The one-hour flight suffered a two-hour delay; the two of us drank airplane wine and carried on, not minding a bit, and once again I was spared the necessity of transit fares and offered a ride home.

Anyway, back to that dark warehouse in Coburg.

Getting in required stepping gingerly through a hole in one fence, ducking under a hole in another, and heading up some stairs sprinkled liberally in broken glass, which had recently occupied the now-broken pane in the door of the loft we'd get to stay in. I was delighted--something about having to sneak in in the dead of night just pumped my nads.

Inside was a large bed [which, after the cheap-as-shit-but-consequently-shittily-uncomfortable three-day journey from Ko Tao, rendered me almost psychotically excited even in my exhaustion] with a cheery note from Alex's friend Tim, pointing out where we could find a clean towel and sheets hanging to dry, and that there was a particular surprise for us hidden in the room [which we found--and which I'm keeping a secret]. The room was strewn with boxing gear and an assortment of books that demonstrated [in my opinion] very good taste on part of their owner. On one wall hung a large, aquatic-patterned sheet to encourage privacy and insulation. It was perfect.

Funnily enough, that was two weeks ago, and I still haven't met this guy whose bed we're staying in.

As for the place, Reclamation Artists Warehouse is still in its infancy--mostly an empty space, though intended to become something of an industrial arts workshop/party venue [not unlike the Generator near Reno, which I also got to see--and help fix up--during its bare-bones infancy and which is now one of the coolest places in America, if you ask me].

Ever since reading Down Under I've been on a mission to overload myself with information and see how much I can manage to remember. Combine this with how expensive Melbourne is [particularly compared to Thailand], and with its saving grace of free museums, and you can easily guess where I've been spending a sizeable chunk of my free time. I visited the NGV International alone on three different days before deciding I'd had enough of looking at really old things.

Otherwise, there's nothing too crazy for me to report just yet, as I've spent much of my time here focused on freelancing and haven't been able to cut loose and go on a real adventure [outside the bounds of conventional wandering, academic tourism, gastronomical overindulgence].

There've been some good nights with new friends.

On one of our first nights we were invited out by Adrian, the first photographer I've shot with in Australia, and treated to drinks on a rooftop bar rife with some really personable, easygoing people exhibiting varying degrees of artsy-fartsiness [I went home with an illustrator's drawing of a fish that had been inspired by a face I'd made], Alex and I left with a couple of art models, for a free Cat Empire show at Federation Square, and eventually we wound up drinking wine under a bridge by the river amidst several hippie types, all seeking refuge from the sudden rain [and all being barked at by rather unimposing cops as soon as the rain cleared].

Adrian Carmody: Melbourne, VIC, Australia, 2014

Adrian Carmody: Melbourne, VIC, Australia, 2014

Similarly, last night we successfully located what is undoubtedly the best ice cream place in Melbourne, followed by a contender for best cocktail bars I've been to in my life [which we only sought out because its name is also my Chinese name--we didn't even know it was a bar], followed by the swank apartment balcony of a lovely and hilarious Kiwi couple whom Alex had met a couple years prior in New Zealand, and who kept giving us wine and shots and making us laugh. The next day we nursed our consequent hangovers by seeking out the best pies in Melbourne.

In case you haven't gathered by now, Melbourne's full of good things to put in one's mouth.

And so on. Presently I'm not inspired to play storytime-dress-up and give some of my nights here the fully quixotic narratives they truly warrant...but I'm okay with that.

Taken by Theresa Manchester at the NGV Australia

Taken by Theresa Manchester at the NGV Australia

With Theresa Manchester on some rooftop bar

With Theresa Manchester on some rooftop bar

Recap from the Land of Oz

Melbourne, Victoria

So, I'm in Australia now. Surprise! Will stave off going into why for now. Assuredly it's a good and happy thing, though.

I'm going to try an exercise in brevity [which is clearly not my strong suit] by summarizing the rest of my journey up using one sentence per change-of-sleeping-space [rather than change-of-place, as Koh Tao deserves more coverage seeing as how I spent weeks there], probably cheating a bit via the use of em-dashes, parenthetical clauses that've I arbitrarily refused to put in actual (parentheses) since someone told me I had to—and possibly also cheating thoroughly and unambiguously through the use of semicolons—in usual sloppy-overkill fashion.

Vang Vieng, Lao PDR >—bus—> Vientiane, Lao PDR

Everyone who claims this city is in any way particularly worth visiting is either being paid to do so or has no semblance of taste [or was lucky enough to stumble into experiences uncommonly serendipitous for the area—granted, I've got a soft spot for places like Fargo, ND for such reasons], and at any rate is likely engaging in some twisted form of anti-libel, as Lao's capital is essentially just as soulless and culture-less as any American capital city, only Asian—in the vein of Albany or Sacramento [though, again, I have reasons to visit both places, those reasons mainly being friends who can't or befuddlingly won't relocate to greener pastures]--rife with palpable tones of universal resentment and mistrust, as illustrated by guesthouses' flamboyantly paranoid policies, and an excess of devoutly ethnocentric fellow travellers who beg the question, "What are you doing so far from home?" or otherwise travellers irritatedly biding their time until the next available flight/bus/train/wheelbarrow could deliver them from this trap that their usually-handy guidebook or Google search results betrayed them into thinking was worth a stop.

Instead of putting up a photo from Vientiane [because I didn't bother taking any], here's a random back street in Luang Prabang, a place that doesn't know how to be ugly anywhere.

Instead of putting up a photo from Vientiane [because I didn't bother taking any], here's a random back street in Luang Prabang, a place that doesn't know how to be ugly anywhere.

Vientiane, Lao PDR >—train—> Nong Khai, Thailand >—train—> Bangkok, Thailand

In a surreal homecoming that showed me just how much I'd adapted and learned in a few weeks, this same city that a month ago completely overtaxed my senses suddenly feels comfortable, laden with ass-corrodingly clean bathrooms [particularly in Terminal 21, which, despite being a mall, is definitely a place worth a poke-around if you're holed up in the city during a long break between trains], and almost ludicrous in its ease of navigation.

Bangkok, Thailand >—train—> Chumphon, Thailand >—bus—boat—> Koh Tao, Thailand

A. The Campsite

After a first night of socially-oversaturated partying, [which involved a lot of incredulous laughing and belligerence on my part: "Where ARE we? That's not really the ocean right over there—it's just a hokey backdrop. Fucking two hundredbaht for one goddamn ripoff balloonful of hippie crack?!...ehh, I'll take three,"] spent my many days high above the populated corners of the island, hanging out at a campground-slash-bar-slash-festival-ground in the making [or would-be-in-the-making if not for interpersonal politics] wandering aimlessly and endlessly around the island, snorkelling through what was likely pulverized human excrement [the better to see benign-albeit-still-intimidating sharks--a fair trade-off in my opinion], reading, examining critters [most notably giant geckos, ant lions, and whip scorpions], and having psychologically-arduous-but-not-entirely-unproductive conversations with Alex about our morphing goals and dreams and consciences and self-concepts and all that shit.

Home up on a hill. Incidentally, the girl in the photo is not me [she's a Swede named Sandra] but serves as an apt placeholder [as I own an identical-looking shirt], anyway.

Home up on a hill. Incidentally, the girl in the photo is not me [she's a Swede named Sandra] but serves as an apt placeholder [as I own an identical-looking shirt], anyway.

B. Baan Suan Ta

Opted to get my Advanced Open Water scuba cert on the cheap and found that, in this instance, you definitely get what you pay for: i.e., an instructor who waves you off when you let him know you're almost out of air because he's too busy tinkering with his GoPro and not getting paid enough to give a fuck, then being made the butt of sexual jokes by all the other instructors on the boat who assume that just because they're speaking in Portugese or French that you can't understand mimed hanky-panky—granted, it's hard to stay grumpy after days of diving around reefs rife with schools of great barracuda, pufferfish, fluorescent parrotfish, butterfly fish, wonky-looking trigger fish, blue-spotted rays, and bioluminescent plankton at night.

C. Save Bungalows

My last, and best, leg of island life—funky and consummate and dense, but strangely wholesome—staying in an odd tile-lined basement room across from the beach in Ban Mae Haad owned by a guy who makes reusable condoms, full of chance run-ins with Europeans who instantly felt like long-time friends [and some less-relatable-but-unaffectedly-hilarious characters who seemed almost to have come into my life purely for my amusement], getting ravaged by territorial fish while snorkelling incognito-nude around a huge shipwreck, my one and only traipse around the infamous Sairee [Mae Haad wins, in my book], vignettes of absurdity [e.g., being heckled late at night by taxi drivers using three-foot traffic cones as megaphones] and kitschy reminders of home-or-somewhere [e.g., watching Kill Bill 2 projected on the wall of a cafe while scarfing after dinner waffles and getting chewed on by a beagle puppy], culminating in a last night on the beach playing ukelele, spinning poi [and taking obligatory long-exposure photos] and speaking in broken-English-turned-broken-Thai-turned-animal-noisemaking-contests with a couple enthusiastic and snarky Thais.

Koh Tao, Thailand >—boat—bus—train—taxi—plane—[an irresistible aside: found begbugs in the waiting lounge seats of Kuala Lumpur's airport, in broad daylight no less, scout's fucking honor]—plane—> Melbourne, Victoria 

Will go into more detail later, but for now: modelling, enjoying very serendipitous airplane seating arrangements, holding koalas, feeding kangaroos, opining and feeling alternately awed and indignant at free art galleries squashed into loudly modern buildings from here to Adelaide, South Australia, and back.

Proof.

Proof.